The wide angle perspective is great for capturing landscapes and architecture.Īre you looking for a wide angle lens to improve your photography skills? If so, the 58MM 0.43x Altura Photo Professional HD Wide Angle Lens may be the perfect option for you. The Macro port portion of the lens provides excellent close-up performance.ĥ. The lens is easy to attach and remove from your camera.Ĥ. The optics are clean and provide great image quality.ģ. The lens is very well built and feels solid in your hand.Ģ. Additionally, the optical design of the lens features a trio of aspherical elements to help minimize spherical aberrations and improve image sharpness.ġ. This lens offers a 35mm equivalent focal length of 50mm and a maximum aperture of f/1.7, which is ideal for capturing sharp images in low-light conditions. lens is a versatile prime lens that is compatible with the Micro Four Thirds system. Additionally, the lens’ build quality is excellent, and it features a metal construction and an engraved depth of field scale that gives it a high-end look and feel. The minimum focusing distance of 0.3m also allows you to get up close to your subject for creative shots. With a focal length of 25mm and an aperture of F1.7, this lens provides excellent image quality and depth of field control. The Panasonic LUMIX G Lens, 25mm, F1.7 ASPH, Mirrorless Micro Four Thirds, H-H025K (USA Black) lens is a versatile prime lens that is ideal for everyday photography. ![]() The adapter has a focusing barrel which makes it easy to focus your lenses, and it also includes a locking mechanism to keep your lenses in place.ġ) The lens is compact and lightweight, making it easy to carry around.Ģ) The lens has a bright aperture of F1.7, which allows you to capture beautiful photos and videos in low-light conditions.ģ) The lens has a built-in optical image stabilization system that helps to reduce camera shake and blur.Ĥ) The lens has a fast autofocus system that makes it easy to capture sharp photos and videos.ĥ) The lens is made from durable and high-quality materials, making it long-lasting. “This lens adapter is perfect for anyone looking to use their Mamiya RB67 or RZ67 lenses on a Sony mirrorless camera. So, if you’re looking for a lens mount adapter that will allow you to use your Mamiya RB67 or RZ67 lenses on a Sony E-mount mirrorless camera, look no further than the Fotodiox Pro Lens Mount Adapter with Focusing Barrel. Additionally, the adapter is made of solid brass, so you can be confident that it will withstand the rigors of everyday use. It features a built-in focusing barrel, which gives you precise control over focus. This lens mount adapter allows you to use your prized Mamiya RB67 or RZ67 lenses on your Sony E-mount mirrorless camera. Comes with a lens cap to protect the front element of the lens when not in use.Īre you a fan of Mamiya RB67 or RZ67 lenses, but have upgraded to a Sony E-mount mirrorless camera? Well, have no fear, because Fotodiox has the perfect lens mount adapter for you! Is made from durable metal construction, ensuring long-lasting use.ĥ. Includes a built-in tripod mount, which makes it easy to attach the adapter to a tripod or other support system.Ĥ. Features a focusing barrel, which allows for precise focusing when using these lenses.ģ. Allows use of Mamiya RB67 & RZ67 lenses on Sony E-mount mirrorless cameras.Ģ. Rather be using full-sized 4x5 sheet film.1. But except when I need the portability of roll film, I'd much I personally use Horseman 6x9 backs when I do this kind of thing, and the presence of movementsĪllows me to obtain better focus than any dedicated medium format lens system. Not every roll film back is well made either. The system is heavy but very rigid, and has to be. The best telephotographer I know actually uses a heavy 8x10 metal Toyo G view camera with a 35mm digital or film cameras, and Apo Nikor process lenses up to 600mm (not 35mm lenses), on a big wooden tripod. You need something rather well machined which will accept a bag bellows - unless you are working with very long focal length lenses. So just any clunker of a cheap view camera probably won't be very satisfactory. ![]() And having lenses very close to the film plane can be pretty tricky too. Part of the issue is mechanical, the other part just It's even harder with a roll film back than with full-sized sheet film. Achieving precise focus with tiny capture surfaces and typical camera movements is pretty tricky, and often needs very precise gearing or a
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